A short time ago Pastor Josh Dix of The Journey church in St. Louis introduced me to the work of singer-songwriter Allie Lapointe. Allie served as one of the first worship leaders in the early years of The Journey. Josh pointed me to the website of Allie and her husband Nick Lapointe, who is also a singer-songwriter musician. He also introduced me to Allie’s new album of original worship songs and modern hymns (hear all the songs and read the lyrics here). And find Treasures by Allie Lapointe on iTunes here.
And now, I’m glad to introduce it to you and to give you the chance to win this new CD in our latest My Song In The Night Twitter contest (see details at the end of this post — the contest details are quick and painless).
As Kristen and I learned more about the Lapointe’s, and Allie’s experience songwriting, leading worship, recording as an indie artist, bringing new life to old hymns and teaching workshops on songwriting, we knew we had to invite her to My Song In The Night, to share her music and her experience with you:
Bobby Gilles: The first song of yours I heard from your new album Treasures was “When Amidst The Storm I’m Shaken.” I was immediately hit with the wealth of poetic devices, right in the first verse – the consonance of all those “W’s”, assonance of the long A and the tight 87.87 “Wesley” meter:
When amidst the storm I’m shaken
Wearied by the wind and waves
Lord within me faith awaken
Jesus hear me call your name
Do you have a background in poetry? Do you think much about poetic devices, either in your initial writing session for a song or in rewrites?
Allie Lapointe: For me, the genre in which I am writing helps determine the word palette I use. So, for hymns, I tend to write in the poetic voice. Finding that voice has come through years of absorbing poetry and scripture, and trying to think metrically. It does not come naturally, but the more I write, the more quickly I find that voice. Hymns are really fun to write because the word palette includes some beautiful words that might not be appropriate in a more conversational lyric.
Bobby Gilles: You do a lot of co-writing, both with your husband Nick and with other writers like Randall Goodgame, Andrew Osenga and David Moffitt. When you’re writing with someone are you typically the lyricist, the tunesmith or both? Is it different with each co-writer? Continue reading